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Itō Chūta : ウィキペディア英語版
Itō Chūta

(1867–1954) was a Japanese architect, architectural historian, and critic. He is recognized as the leading architect and architectural theorist of early twentieth-century Imperial Japan.
==Biography==
Second son of a doctor in Yonezawa, present-day Yamagata Prefecture, Itō was educated in Tokyo. From 1889 to 1892 he studied under Tatsuno Kingo in the Department of Architecture at the Imperial University.〔 Josiah Conder was still teaching in the department, while Ernest Fenollosa and Okakura Kakuzō were also influential in the formation of Itō's ideas.〔 For graduation he designed a Gothic cathedral and wrote a dissertation on architectural theory.〔 His doctoral thesis was on the architecture of Hōryū-ji.〔 He was professor of architecture at the Imperial University from 1905, then of Waseda University from 1928.〔(【引用サイトリンク】title=伊東忠太 (建) 昭和29年4月7日没 )
Itō travelled widely, to the Forbidden City with photographer Ogawa Kazumasa in 1901 and subsequently, after fourteen months in China, to Burma, India, Sri Lanka, Turkey, Europe and the United States.〔〔〔(【引用サイトリンク】title=Scenes from Late Qing Dynasty China: Photographs by Ogawa Kazumasa, Hayasaki Kokichi and Sekino Tadashi )〕 Later he was involved in the planning of Chōsen Jingū in Seoul and a survey of the monuments of Jehol in Manchukuo. He incorporated elements of the diverse architectural styles he encountered in his many writings and approximately one hundred design projects.〔〔(【引用サイトリンク】title=伊東忠太 )
Itō helped formulate the Ancient Temples and Shrines Preservation Law of 1897, an early measure to protect the Cultural Properties of Japan. He is also credited with coining the Japanese term for architecture, namely (''lit''. 'erection of buildings') in place of the former (''lit.'' 'study of making houses').〔 A member of the Japan Academy, in 1943 he was awarded the Order of Culture.〔〔 Itō has more recently been criticised, with specific reference to his writings on Ise Grand Shrine, for having 'blurred a religio-political discourse with an architectural discourse'.

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